fugue, passacaglia, or canon ideology* any PoMo term used ironically or made fun of hip-hop or rap (goes to piano)
watermark reconsider* Mozart signify* microfilm*
McClary Gesamt- kunstwerk FREE SQUARE problematic Wissenschaft
Dahlhaus body editorial* previous scholars* masterwork
mere anything the Other patron or patronage* Reformation or Restoration time does not permit*
(goes to piano) (louder, cooler paper with musical examples in next room plainly audible) Wagner time does not permit* jazz
Gesamt- kunstwerk not unlikely or not impossible ♭6 embodiment* isorhythm
other member of panel obviously bored, asleep, or not paying attention ontology or meaning* FREE SQUARE problematize reconsider*
(more than 20 second passage in a modern foreign language) anonymous Elvis microfilm* feminist*
film music Rousseau borrowing (re)-anything micro or macro

Musicology Buzzword Bingo, 2008 Edition

ontology or meaning* Reformation or Restoration audio problem string quartet Medial caesura (or lunch)
problematic process ideology* palimpsest hermeneutics*
poetry the New Musicology FREE SQUARE analysis hip-hop or rap
patron or patronage* Gesamt- kunstwerk previous scholars* not unlikely or not impossible (has a powerpoint problem)
modernity* masturbate* (mis)-anything name of any female composer blues
the New Musicology anonymous embodiment* analysis isorhythm
process a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey the Other poetry Medial caesura (or lunch)
elsewhere I have* ♪♩♪ or other syncopated rhythm sung FREE SQUARE editorial* sketches*
(reads footnote including publisher info) borrowing ♭6 reconsider* audience
opera (comique, seria or Gran' ol') provisional or work in progress other member of panel obviously bored, asleep, or not paying attention (more than 20 second passage in a modern foreign language) Rousseau
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC