# ------------------------------------------------------------------------------
# Name: possibility.py
# Purpose: rule checking functions for a "possibility" represented as a tuple.
# Authors: Jose Cabal-Ugaz
#
# Copyright: Copyright © 2011 Michael Scott Asato Cuthbert
# License: BSD, see license.txt
# ------------------------------------------------------------------------------
'''
A possibility is a tuple with pitches, and is intended to encapsulate a possible
solution to a :class:`~music21.figuredBass.segment.Segment`.
Unlike a :class:`~music21.chord.Chord`,
the ordering of a possibility does matter. The assumption throughout fbRealizer
is that a possibility is always in order from the highest part to the lowest part, and
the last element of each possibility is the bass.
.. note:: fbRealizer supports voice crossing, so the order of pitches from lowest
to highest may not correspond to the ordering of parts.
.. note:: A realized possibility has one pitch per part, so with the default four-part
(SATB) realization each possibility holds four pitches, the last being the bass. The
examples in this module use shorter, often three-voice, possibilities purely for
brevity; every function here works for any number of parts.
Here, a possibility is created. G5 is in the highest part, and C4 is the bass. The highest
part contains the highest Pitch, and the lowest part contains the lowest Pitch. No voice
crossing is present.
>>> G5 = pitch.Pitch('G5')
>>> C5 = pitch.Pitch('C5')
>>> E4 = pitch.Pitch('E4')
>>> C4 = pitch.Pitch('C4')
>>> p1 = (G5, C5, E4, C4)
Here, another possibility is created with the same pitches, but this time,
with voice crossing present.
C5 is in the highest part, but the highest Pitch G5 is in the second highest part.
>>> p2 = (C5, G5, E4, C4)
The methods in this module are applied to possibilities, and fall into three main categories:
1) Single Possibility Methods. These methods are applied in finding correct possibilities in
:meth:`~music21.figuredBass.segment.Segment.allCorrectSinglePossibilities`.
2) Consecutive Possibility Methods. These methods are applied to (possibA, possibB) pairs
in :meth:`~music21.figuredBass.segment.Segment.allCorrectConsecutivePossibilities`,
possibA being any correct possibility in segmentA and possibB being any correct possibility
in segmentB.
3) Special Resolution Methods. These methods are applied in
:meth:`~music21.figuredBass.segment.Segment.allCorrectConsecutivePossibilities`
as applicable if the pitch names of a Segment correctly spell out an augmented sixth, dominant
seventh, or diminished seventh chord. They are located in :mod:`~music21.figuredBass.resolution`.
The application of these methods is controlled by corresponding instance variables in a
:class:`~music21.figuredBass.rules.Rules` object provided to a Segment.
.. note:: The number of parts and maxPitch are universal for a
:class:`~music21.figuredBass.realizer.FiguredBassLine`.
'''
from __future__ import annotations
import unittest
from music21 import chord
from music21 import exceptions21
from music21 import interval
from music21 import pitch
from music21 import voiceLeading
# A possibility is a tuple of pitches, one per part, ordered from the highest
# part to the lowest part (the last element is the bass).
type Possibility = tuple[pitch.Pitch, ...]
# SINGLE POSSIBILITY RULE-CHECKING METHODS
# ----------------------------------------
[docs]
def voiceCrossing(possibA: Possibility) -> bool:
'''
Returns True if there is voice crossing present between any two parts
in possibA. The parts from the lowest part to the highest part (right to left)
must correspond to increasingly higher pitches in order for there to
be no voice crossing. Comparisons between pitches are done using pitch
comparison methods, which are based on pitch space values
(see :class:`~music21.pitch.Pitch`).
>>> from music21.figuredBass import possibility
>>> C4 = pitch.Pitch('C4')
>>> E4 = pitch.Pitch('E4')
>>> C5 = pitch.Pitch('C5')
>>> G5 = pitch.Pitch('G5')
>>> possibA1 = (C5, G5, E4)
>>> possibility.voiceCrossing(possibA1) # G5 > C5
True
>>> possibA2 = (C5, E4, C4)
>>> possibility.voiceCrossing(possibA2)
False
'''
hasVoiceCrossing = False
for part1Index in range(len(possibA)):
higherPitch = possibA[part1Index]
for part2Index in range(part1Index + 1, len(possibA)):
lowerPitch = possibA[part2Index]
if higherPitch < lowerPitch:
hasVoiceCrossing = True
return hasVoiceCrossing
return hasVoiceCrossing
[docs]
def isIncomplete(possibA: Possibility, pitchNamesToContain: list[str]) -> bool:
'''
Returns True if possibA is incomplete, if it doesn't contain at least
one of every pitch name in pitchNamesToContain.
For a Segment, pitchNamesToContain is
:attr:`~music21.figuredBass.segment.Segment.pitchNamesInChord`.
If possibA contains excessive pitch names, a PossibilityException is
raised, although this is not a concern with the current implementation
of fbRealizer.
>>> from music21.figuredBass import possibility
>>> C3 = pitch.Pitch('C3')
>>> E4 = pitch.Pitch('E4')
>>> G4 = pitch.Pitch('G4')
>>> C5 = pitch.Pitch('C5')
>>> Bb5 = pitch.Pitch('B-5')
>>> possibA1 = (C5, G4, E4, C3)
>>> pitchNamesA1 = ['C', 'E', 'G', 'B-']
>>> possibility.isIncomplete(possibA1, pitchNamesA1) # Missing B-
True
>>> pitchNamesA2 = ['C', 'E', 'G']
>>> possibility.isIncomplete(possibA1, pitchNamesA2)
False
'''
isIncompleteV = False
pitchNamesContained: list[str] = []
for givenPitch in possibA:
if givenPitch.name not in pitchNamesContained:
pitchNamesContained.append(givenPitch.name)
for pitchName in pitchNamesToContain:
if pitchName not in pitchNamesContained:
isIncompleteV = True
if not isIncompleteV and (len(pitchNamesContained) > len(pitchNamesToContain)):
isIncompleteV = False
# raise PossibilityException(str(possibA) + '
# contains pitch names not found in pitchNamesToContain.')
return isIncompleteV
[docs]
def upperPartsWithinLimit(possibA: Possibility, maxSemitoneSeparation: int|None = 12) -> bool:
'''
Returns True if the pitches in the upper parts of possibA
are found within maxSemitoneSeparation of each other. The
upper parts of possibA are all the pitches except the last.
The default value of maxSemitoneSeparation is 12 semitones,
enharmonically equivalent to a perfect octave. If this method
returns True for this default value, then all the notes in
the upper parts can be played by most adult pianists using
just the right hand.
>>> from music21.figuredBass import possibility
>>> C3 = pitch.Pitch('C3')
>>> E3 = pitch.Pitch('E3')
>>> E4 = pitch.Pitch('E4')
>>> G4 = pitch.Pitch('G4')
>>> C5 = pitch.Pitch('C5')
>>> possibA1 = (C5, G4, E4, C3)
>>> possibility.upperPartsWithinLimit(possibA1)
True
Here, C5 and E3 are separated by almost two octaves.
>>> possibA2 = (C5, G4, E3, C3)
>>> possibility.upperPartsWithinLimit(possibA2)
False
'''
areUpperPartsWithinLimit = True
if maxSemitoneSeparation is None:
return areUpperPartsWithinLimit
upperParts = possibA[0:len(possibA) - 1]
for part1Index in range(len(upperParts)):
higherPitch = upperParts[part1Index]
for part2Index in range(part1Index + 1, len(upperParts)):
lowerPitch = upperParts[part2Index]
if abs(higherPitch.ps - lowerPitch.ps) > maxSemitoneSeparation:
areUpperPartsWithinLimit = False
return areUpperPartsWithinLimit
return areUpperPartsWithinLimit
DEFAULT_MAX_PITCH = pitch.Pitch('B5')
[docs]
def pitchesWithinLimit(possibA: Possibility, maxPitch: pitch.Pitch = DEFAULT_MAX_PITCH) -> bool:
'''
Returns True if all pitches in possibA are less than or equal to
the maxPitch provided. Comparisons between pitches are done using pitch
comparison methods, which are based on pitch space values
(see :class:`~music21.pitch.Pitch`).
Used in :class:`~music21.figuredBass.segment.Segment` to filter
resolutions of special Segments which can have pitches exceeding
the universal maxPitch of a :class:`~music21.figuredBass.realizer.FiguredBassLine`.
>>> from music21.figuredBass import possibility
>>> from music21.figuredBass import resolution
>>> G2 = pitch.Pitch('G2')
>>> D4 = pitch.Pitch('D4')
>>> F5 = pitch.Pitch('F5')
>>> B5 = pitch.Pitch('B5')
>>> domPossib = (B5, F5, D4, G2)
>>> possibility.pitchesWithinLimit(domPossib)
True
>>> resPossib = resolution.dominantSeventhToMajorTonic(domPossib)
>>> resPossib # Contains C6 > B5
(<music21.pitch.Pitch C6>,
<music21.pitch.Pitch E5>,
<music21.pitch.Pitch C4>,
<music21.pitch.Pitch C3>)
>>> possibility.pitchesWithinLimit(resPossib)
False
'''
for givenPitch in possibA:
if givenPitch > maxPitch:
return False
return True
[docs]
def limitPartToPitch(
possibA: Possibility,
partPitchLimits: dict[int, pitch.Pitch]|None = None
) -> bool:
'''
Takes in a dict, partPitchLimits containing (partNumber, partPitch) pairs, each
of which limits a part in possibA to a certain :class:`~music21.pitch.Pitch`.
Returns True if all limits are followed in possibA, False otherwise.
>>> from music21.figuredBass import possibility
>>> C4 = pitch.Pitch('C4')
>>> E4 = pitch.Pitch('E4')
>>> G4 = pitch.Pitch('G4')
>>> C5 = pitch.Pitch('C5')
>>> G5 = pitch.Pitch('G5')
>>> sopranoPitch = pitch.Pitch('G5')
>>> possibA1 = (C5, G4, E4, C4)
>>> possibility.limitPartToPitch(possibA1, {1: sopranoPitch})
False
>>> possibA2 = (G5, G4, E4, C4)
>>> possibility.limitPartToPitch(possibA2, {1: sopranoPitch})
True
'''
if partPitchLimits is None:
partPitchLimits = {}
for (partNumber, partPitch) in partPitchLimits.items():
if not (possibA[partNumber - 1] == partPitch):
return False
return True
# CONSECUTIVE POSSIBILITY RULE-CHECKING METHODS
# ---------------------------------------------
# Speedup tables. pitch.Pitch hashes and compares by value, so tuples of
# pitches work as dict keys: a quartet of value-equal pitches hits the cache
# regardless of object identity. The same tables are duplicated in
# figuredBass.checker.
type PitchQuartetToBool = dict[
tuple[pitch.Pitch, pitch.Pitch, pitch.Pitch, pitch.Pitch],
bool
]
parallelFifthsTable: PitchQuartetToBool = {}
parallelOctavesTable: PitchQuartetToBool = {}
hiddenFifthsTable: PitchQuartetToBool = {}
hiddenOctavesTable: PitchQuartetToBool = {}
[docs]
def parallelFifths(possibA: Possibility, possibB: Possibility) -> bool:
'''
Returns True if there are parallel fifths between any
two shared parts of possibA and possibB.
If pitchA1 and pitchA2 in possibA are separated by
a simple interval of a perfect fifth, and they move
to a pitchB1 and pitchB2 in possibB also separated
by the simple interval of a perfect fifth, then this
constitutes parallel fifths between these two parts.
If the method returns False, then no two shared parts
have parallel fifths. The method returns True as soon
as two shared parts with parallel fifths are found.
>>> from music21.figuredBass import possibility
>>> C3 = pitch.Pitch('C3')
>>> D3 = pitch.Pitch('D3')
>>> G3 = pitch.Pitch('G3')
>>> A3 = pitch.Pitch('A3')
>>> A4 = pitch.Pitch('A4')
>>> B4 = pitch.Pitch('B4')
Here, the bass moves from C3 to D3 and the tenor moves
from G3 to A3. The interval between C3 and G3, as well
as between D3 and A3, is a perfect fifth. These two
parts, and therefore the two possibilities, have
parallel fifths.
>>> possibA1 = (B4, G3, C3)
>>> possibB1 = (A4, A3, D3)
>>> possibility.parallelFifths(possibA1, possibB1)
True
Now, the tenor moves instead to F3. The interval between
D3 and F3 is a minor third. The bass and tenor parts
don't form parallel fifths. The soprano part forms parallel
fifths with neither the bass nor tenor parts. The
two possibilities, therefore, have no parallel fifths.
>>> F3 = pitch.Pitch('F3')
>>> possibA2 = (B4, G3, C3)
>>> possibB2 = (A4, F3, D3)
>>> possibility.parallelFifths(possibA2, possibB2)
False
'''
hasParallelFifths = False
pairsList = partPairs(possibA, possibB)
for pair1Index in range(len(pairsList)):
(higherPitchA, higherPitchB) = pairsList[pair1Index]
for pair2Index in range(pair1Index + 1, len(pairsList)):
(lowerPitchA, lowerPitchB) = pairsList[pair2Index]
if not abs(higherPitchA.ps - lowerPitchA.ps) % 12 == 7:
continue
if not abs(higherPitchB.ps - lowerPitchB.ps) % 12 == 7:
continue
# Very high probability of ||5, but still not certain.
pitchQuartet = (lowerPitchA, lowerPitchB, higherPitchA, higherPitchB)
if pitchQuartet in parallelFifthsTable:
hasParallelFifths = parallelFifthsTable[pitchQuartet]
if hasParallelFifths:
return hasParallelFifths
vlq = voiceLeading.VoiceLeadingQuartet(*pitchQuartet)
if vlq.parallelFifth():
hasParallelFifths = True
parallelFifthsTable[pitchQuartet] = hasParallelFifths
if hasParallelFifths:
return hasParallelFifths
return hasParallelFifths
[docs]
def parallelOctaves(possibA: Possibility, possibB: Possibility) -> bool:
'''
Returns True if there are parallel octaves between any
two shared parts of possibA and possibB.
If pitchA1 and pitchA2 in possibA are separated by
a simple interval of a perfect octave, and they move
to a pitchB1 and pitchB2 in possibB also separated
by the simple interval of a perfect octave, then this
constitutes parallel octaves between these two parts.
If the method returns False, then no two shared parts
have parallel octaves. The method returns True as soon
as two shared parts with parallel octaves are found.
>>> from music21.figuredBass import possibility
>>> C3 = pitch.Pitch('C3')
>>> D3 = pitch.Pitch('D3')
>>> G3 = pitch.Pitch('G3')
>>> A3 = pitch.Pitch('A3')
>>> C4 = pitch.Pitch('C4')
>>> D4 = pitch.Pitch('D4')
Here, the soprano moves from C4 to D4 and the bass moves
from C3 to D3. The interval between C3 and C4, as well as
between D3 and D4, is a parallel octave. The two parts,
and therefore the two possibilities, have parallel octaves.
>>> possibA1 = (C4, G3, C3)
>>> possibB1 = (D4, A3, D3)
>>> possibility.parallelOctaves(possibA1, possibB1)
True
Now, the soprano moves down to B3. The interval between
D3 and B3 is a major sixth. The soprano and bass parts
no longer have parallel octaves. The tenor part forms
a parallel octave with neither the bass nor soprano,
so the two possibilities do not have parallel octaves.
(Notice, however, the parallel fifth between the bass
and tenor!)
>>> B3 = pitch.Pitch('B3')
>>> possibA2 = (C4, G3, C3)
>>> possibB2 = (B3, A3, D3)
>>> possibility.parallelOctaves(possibA2, possibB2)
False
'''
hasParallelOctaves = False
pairsList = partPairs(possibA, possibB)
for pair1Index in range(len(pairsList)):
(higherPitchA, higherPitchB) = pairsList[pair1Index]
for pair2Index in range(pair1Index + 1, len(pairsList)):
(lowerPitchA, lowerPitchB) = pairsList[pair2Index]
if not abs(higherPitchA.ps - lowerPitchA.ps) % 12 == 0:
continue
if not abs(higherPitchB.ps - lowerPitchB.ps) % 12 == 0:
continue
# Very high probability of ||8, but still not certain.
pitchQuartet = (lowerPitchA, lowerPitchB, higherPitchA, higherPitchB)
if pitchQuartet in parallelOctavesTable:
hasParallelOctaves = parallelOctavesTable[pitchQuartet]
if hasParallelOctaves:
return hasParallelOctaves
vlq = voiceLeading.VoiceLeadingQuartet(*pitchQuartet)
if vlq.parallelOctave():
hasParallelOctaves = True
parallelOctavesTable[pitchQuartet] = hasParallelOctaves
if hasParallelOctaves:
return hasParallelOctaves
return hasParallelOctaves
[docs]
def hiddenFifths(possibA: Possibility, possibB: Possibility) -> bool:
'''
Returns True if there is a hidden fifth between shared outer parts
of possibA and possibB. The outer parts here are the first and last
elements of each possibility.
If sopranoPitchA and bassPitchA in possibA move to a sopranoPitchB
and bassPitchB in possibB in similar motion, and the simple interval
between sopranoPitchB and bassPitchB is that of a perfect fifth,
then this constitutes a hidden octave between the two possibilities.
>>> from music21.figuredBass import possibility
>>> C3 = pitch.Pitch('C3')
>>> D3 = pitch.Pitch('D3')
>>> E3 = pitch.Pitch('E3')
>>> F3 = pitch.Pitch('F3')
>>> E5 = pitch.Pitch('E5')
>>> A5 = pitch.Pitch('A5')
Here, the bass part moves up from C3 to D3 and the soprano part moves
up from E5 to A5. The simple interval between D3 and A5 is a perfect
fifth. Therefore, there is a hidden fifth between the two possibilities.
>>> possibA1 = (E5, E3, C3)
>>> possibB1 = (A5, F3, D3)
>>> possibility.hiddenFifths(possibA1, possibB1)
True
Here, the soprano and bass parts also move in similar motion, but the
simple interval between D3 and Ab5 is a diminished fifth. Consequently,
there is no hidden fifth.
>>> Ab5 = pitch.Pitch('A-5')
>>> possibA2 = (E5, E3, C3)
>>> possibB2 = (Ab5, F3, D3)
>>> possibility.hiddenFifths(possibA2, possibB2)
False
Now, we have the soprano and bass parts again moving to A5 and D3, whose
simple interval is a perfect fifth. However, the bass moves up while the
soprano moves down. Therefore, there is no hidden fifth.
>>> E6 = pitch.Pitch('E6')
>>> possibA3 = (E6, E3, C3)
>>> possibB3 = (A5, F3, D3)
>>> possibility.hiddenFifths(possibA3, possibB3)
False
* Changed in v11: renamed from hiddenFifth (singular) to match parallelFifths.
'''
hasHiddenFifth = False
pairsList = partPairs(possibA, possibB)
(highestPitchA, highestPitchB) = pairsList[0]
(lowestPitchA, lowestPitchB) = pairsList[-1]
if abs(highestPitchB.ps - lowestPitchB.ps) % 12 == 7:
# Very high probability of hidden fifth, but still not certain.
pitchQuartet = (lowestPitchA, lowestPitchB, highestPitchA, highestPitchB)
if pitchQuartet in hiddenFifthsTable:
hasHiddenFifth = hiddenFifthsTable[pitchQuartet]
return hasHiddenFifth
vlq = voiceLeading.VoiceLeadingQuartet(*pitchQuartet)
if vlq.hiddenFifth():
hasHiddenFifth = True
hiddenFifthsTable[pitchQuartet] = hasHiddenFifth
return hasHiddenFifth
[docs]
def hiddenOctaves(possibA: Possibility, possibB: Possibility) -> bool:
'''
Returns True if there is a hidden octave between shared outer parts
of possibA and possibB. The outer parts here are the first and last
elements of each possibility.
If sopranoPitchA and bassPitchA in possibA move to a sopranoPitchB
and bassPitchB in possibB in similar motion, and the simple interval
between sopranoPitchB and bassPitchB is that of a perfect octave,
then this constitutes a hidden octave between the two possibilities.
>>> from music21.figuredBass import possibility
>>> C3 = pitch.Pitch('C3')
>>> D3 = pitch.Pitch('D3')
>>> E3 = pitch.Pitch('E3')
>>> F3 = pitch.Pitch('F3')
>>> A5 = pitch.Pitch('A5')
>>> D6 = pitch.Pitch('D6')
Here, the bass part moves up from C3 to D3 and the soprano part moves
up from A5 to D6. The simple interval between D3 and D6 is a perfect
octave. Therefore, there is a hidden octave between the two possibilities.
>>> possibA1 = (A5, E3, C3)
>>> possibB1 = (D6, F3, D3) # Perfect octave between soprano and bass.
>>> possibility.hiddenOctaves(possibA1, possibB1)
True
Here, the bass part moves up from C3 to D3 but the soprano part moves
down from A6 to D6. There is no hidden octave since the parts move in
contrary motion.
>>> A6 = pitch.Pitch('A6')
>>> possibA2 = (A6, E3, C3)
>>> possibB2 = (D6, F3, D3)
>>> possibility.hiddenOctaves(possibA2, possibB2)
False
* Changed in v11: renamed from hiddenOctave (singular) to match parallelOctaves.
'''
hasHiddenOctave = False
pairsList = partPairs(possibA, possibB)
(highestPitchA, highestPitchB) = pairsList[0]
(lowestPitchA, lowestPitchB) = pairsList[-1]
if abs(highestPitchB.ps - lowestPitchB.ps) % 12 == 0:
# Very high probability of hidden octave, but still not certain.
pitchQuartet = (lowestPitchA, lowestPitchB, highestPitchA, highestPitchB)
if pitchQuartet in hiddenOctavesTable:
hasHiddenOctave = hiddenOctavesTable[pitchQuartet]
return hasHiddenOctave
vlq = voiceLeading.VoiceLeadingQuartet(*pitchQuartet)
if vlq.hiddenOctave():
hasHiddenOctave = True
hiddenOctavesTable[pitchQuartet] = hasHiddenOctave
return hasHiddenOctave
[docs]
def voiceOverlap(possibA: Possibility, possibB: Possibility) -> bool:
'''
Returns True if there is voice overlap between any two shared parts
of possibA and possibB.
Voice overlap can occur in two ways:
1) If a pitch in a lower part in possibB is higher than a pitch in
a higher part in possibA. This case is demonstrated below.
2) If a pitch in a higher part in possibB is lower than a pitch in
a lower part in possibA.
.. image:: images/figuredBass/fbPossib_voiceOverlap.*
:width: 75
In the above example, possibA has G4 in the bass and B4 in the soprano.
If the bass moves up to C5 in possibB, that would constitute voice overlap
because the bass in possibB would be higher than the soprano in possibA.
>>> from music21.figuredBass import possibility
>>> C4 = pitch.Pitch('C4')
>>> D4 = pitch.Pitch('D4')
>>> E4 = pitch.Pitch('E4')
>>> F4 = pitch.Pitch('F4')
>>> G4 = pitch.Pitch('G4')
>>> C5 = pitch.Pitch('C5')
Here, case #2 is demonstrated. There is overlap between the soprano and
alto parts, because F4 in the soprano in possibB1 is lower than the G4
in the alto in possibA1. Note that neither possibility has to have voice
crossing for voice overlap to occur, as shown.
>>> possibA1 = (C5, G4, E4, C4)
>>> possibB1 = (F4, F4, D4, D4)
>>> possibility.voiceOverlap(possibA1, possibB1)
True
>>> possibility.voiceCrossing(possibA1)
False
>>> possibility.voiceCrossing(possibB1)
False
Here is the same example as above, except the soprano of the second
possibility is now B4, which does not overlap the G4 of the first.
Now, there is no voice overlap.
>>> B4 = pitch.Pitch('B4')
>>> possibA2 = (C5, G4, E4, C4)
>>> possibB2 = (B4, F4, D4, D4)
>>> possibility.voiceOverlap(possibA2, possibB2)
False
'''
hasVoiceOverlap = False
pairsList = partPairs(possibA, possibB)
for pair1Index in range(len(pairsList)):
(higherPitchA, higherPitchB) = pairsList[pair1Index]
for pair2Index in range(pair1Index + 1, len(pairsList)):
(lowerPitchA, lowerPitchB) = pairsList[pair2Index]
if lowerPitchB > higherPitchA or higherPitchB < lowerPitchA:
hasVoiceOverlap = True
return hasVoiceOverlap
return hasVoiceOverlap
[docs]
def partMovementsWithinLimits(
possibA: Possibility,
possibB: Possibility,
partMovementLimits: list[tuple[int, int]]|None = None
) -> bool:
# noinspection PyShadowingNames
'''
Returns True if all movements between shared parts of possibA and possibB
are within limits, as specified by list partMovementLimits, which consists of
(partNumber, maxSeparation) tuples.
* partNumber: Specified from 1 to n, where 1 is the soprano or
highest part and n is the bass or lowest part.
* maxSeparation: For a given part, the maximum separation to allow
between a pitch in possibA and a corresponding pitch in possibB, in semitones.
>>> from music21.figuredBass import possibility
>>> C4 = pitch.Pitch('C4')
>>> D4 = pitch.Pitch('D4')
>>> E4 = pitch.Pitch('E4')
>>> F4 = pitch.Pitch('F4')
>>> G4 = pitch.Pitch('G4')
>>> A4 = pitch.Pitch('A4')
>>> B4 = pitch.Pitch('B4')
>>> C5 = pitch.Pitch('C5')
Here, we limit the soprano part to motion of two semitones,
enharmonically equivalent to a major second.
Moving from C5 to B4 is allowed because it constitutes stepwise
motion, but moving to A4 is not allowed
because the distance between A4 and C5 is three semitones.
>>> partMovementLimits = [(1, 2)]
>>> possibA1 = (C5, G4, E4, C4)
>>> possibB1 = (B4, F4, D4, D4)
>>> possibility.partMovementsWithinLimits(possibA1, possibB1, partMovementLimits)
True
>>> possibB2 = (A4, F4, D4, D4)
>>> possibility.partMovementsWithinLimits(possibA1, possibB2, partMovementLimits)
False
'''
if partMovementLimits is None:
partMovementLimits = []
withinLimits = True
for (partNumber, maxSeparation) in partMovementLimits:
pitchA = possibA[partNumber - 1]
pitchB = possibB[partNumber - 1]
if abs(pitchB.ps - pitchA.ps) > maxSeparation:
withinLimits = False
return withinLimits
return withinLimits
[docs]
def upperPartsSame(possibA: Possibility, possibB: Possibility) -> bool:
'''
Returns True if the upper parts are the same.
False otherwise.
>>> from music21.figuredBass import possibility
>>> C4 = pitch.Pitch('C4')
>>> D4 = pitch.Pitch('D4')
>>> E4 = pitch.Pitch('E4')
>>> F4 = pitch.Pitch('F4')
>>> G4 = pitch.Pitch('G4')
>>> B4 = pitch.Pitch('B4')
>>> C5 = pitch.Pitch('C5')
>>> possibA1 = (C5, G4, E4, C4)
>>> possibB1 = (B4, F4, D4, D4)
>>> possibB2 = (C5, G4, E4, D4)
>>> possibility.upperPartsSame(possibA1, possibB1)
False
>>> possibility.upperPartsSame(possibA1, possibB2)
True
'''
pairsList = partPairs(possibA, possibB)
for (pitchA, pitchB) in pairsList[0:-1]:
if not (pitchA == pitchB):
return False
return True
[docs]
def partsSame(
possibA: Possibility,
possibB: Possibility,
partsToCheck: list[int]|None = None
) -> bool:
'''
Takes in partsToCheck, a list of part numbers. Checks if pitches at those part numbers of
possibA and possibB are equal, determined by pitch space.
>>> from music21.figuredBass import possibility
>>> C4 = pitch.Pitch('C4')
>>> E4 = pitch.Pitch('E4')
>>> G4 = pitch.Pitch('G4')
>>> B4 = pitch.Pitch('B4')
>>> C5 = pitch.Pitch('C5')
>>> possibA1 = (C5, G4, E4, C4)
>>> possibB1 = (B4, G4, E4, C4)
>>> possibility.partsSame(possibA1, possibB1, [2, 3, 4])
True
'''
if partsToCheck is None:
return True
pairsList = partPairs(possibA, possibB)
for partIndex in partsToCheck:
(pitchA, pitchB) = pairsList[partIndex - 1]
if pitchA != pitchB:
return False
return True
[docs]
def couldBeItalianA6Resolution(
possibA: Possibility,
possibB: Possibility,
threePartChordInfo: list[pitch.Pitch]|None = None,
restrictDoublings: bool = True
) -> bool:
'''
Speed-enhanced but designed to stand alone.
Returns True if possibA is an Italian A6 chord
and possibB could possibly be an acceptable resolution.
If restrictDoublings is set to True,
only the tonic can be doubled. Setting restrictDoublings
to False opens up the chance
that the root or the third can be doubled. Controlled
in the :class:`~music21.figuredBass.rules.Rules`
object by :attr:`~music21.figuredBass.rules.Rules.restrictDoublingsInItalianA6Resolution`.
>>> from music21.figuredBass import possibility
>>> A2 = pitch.Pitch('A2')
>>> Bb2 = pitch.Pitch('B-2')
>>> Cs4 = pitch.Pitch('C#4')
>>> D4 = pitch.Pitch('D4')
>>> E4 = pitch.Pitch('E4')
>>> Fs4 = pitch.Pitch('F#4')
>>> Gs4 = pitch.Pitch('G#4')
>>> A4 = pitch.Pitch('A4')
>>> possibA1 = (Gs4, D4, D4, Bb2)
>>> possibB1 = (A4, Cs4, E4, A2)
>>> possibB2 = (A4, E4, Cs4, A2)
>>> possibB3 = (A4, D4, Fs4, A2)
>>> possibility.couldBeItalianA6Resolution(possibA1, possibB1)
True
>>> possibility.couldBeItalianA6Resolution(possibA1, possibB1)
True
>>> possibility.couldBeItalianA6Resolution(possibA1, possibB3)
True
A PossibilityException is raised if possibA is not an Italian A6 chord, but this only
applies if `threePartChordInfo=None`, because otherwise the chord information is
coming from :class:`~music21.figuredBass.segment.Segment` and the fact that possibA is
an It+6 chord is assumed.
>>> possibA2 = (Gs4, E4, D4, Bb2)
>>> possibB2 = (A4, E4, Cs4, A2)
>>> possibility.couldBeItalianA6Resolution(possibA2, possibB2)
Traceback (most recent call last):
music21.figuredBass.possibility.PossibilityException: possibA does not spell out an It+6 chord.
The method is called `couldBeItalianA6Resolution` as opposed
to `isItalianA6Resolution` because it is designed to work in
tandem with :meth:`~music21.figuredBass.possibility.parallelOctaves`
and :meth:`~music21.figuredBass.possibility.isIncomplete` in
a Segment. Consider the following examples with possibA1 above as the
augmented sixth chord to resolve.
>>> possibA1 = (Gs4, D4, D4, Bb2)
>>> possibB4 = (A4, D4, D4, A2) # No 3rd
>>> possibB5 = (A4, Cs4, Cs4, A2) # No 5th
>>> possibility.couldBeItalianA6Resolution(possibA1, possibB4)
True
>>> possibility.couldBeItalianA6Resolution(possibA1, possibB5) # parallel octaves
True
>>> possibA3 = (Gs4, Gs4, D4, Bb2)
>>> possibB6 = (A4, A4, Cs4, A2)
>>> possibility.couldBeItalianA6Resolution(possibA3, possibB6, restrictDoublings=True)
False
>>> possibility.couldBeItalianA6Resolution(possibA3, possibB6, restrictDoublings=False)
True
'''
if threePartChordInfo is None:
augSixthChord = chord.Chord(possibA)
if not augSixthChord.isItalianAugmentedSixth():
raise PossibilityException('possibA does not spell out an It+6 chord.')
bass = augSixthChord.bass()
root = augSixthChord.root()
third = augSixthChord.getChordStep(3)
fifth = augSixthChord.getChordStep(5)
if third is None or fifth is None:
raise PossibilityException('possibA does not spell out an It+6 chord.')
threePartChordInfo = [bass, root, third, fifth]
allowedIntervalNames = ['M3', 'm3', 'M2', 'm-2']
rootResolved = False
[bass, root, third, fifth] = threePartChordInfo
for pitchIndex in range(len(possibA)):
pitchA = possibA[pitchIndex]
pitchB = possibB[pitchIndex]
if pitchA.name == fifth.name:
if pitchA == pitchB:
continue
if abs(pitchA.ps - pitchB.ps) > 4.0:
return False
tt = interval.Interval(pitchA, pitchB)
if tt.directedSimpleName not in allowedIntervalNames:
return False
elif pitchA.name == bass.name and pitchA == bass:
if not (pitchA.ps - pitchB.ps) == 1.0:
return False
i = interval.Interval(pitchA, pitchB)
if i.directedName != 'm-2':
return False
elif pitchA.name == root.name:
if rootResolved and restrictDoublings:
# there can't be more than one root
return False
if not (pitchB.ps - pitchA.ps) == 1.0:
return False
i = interval.Interval(pitchA, pitchB)
if i.directedName != 'm2':
return False
rootResolved = True
elif pitchA.name == third.name:
if restrictDoublings:
# there can't be more than one third, which is in the bass.
return False
if not (pitchA.ps - pitchB.ps) == 1.0:
return False
i = interval.Interval(pitchA, pitchB)
if i.directedName != 'm-2':
return False
# # Part 1: Check if possibA is A6 chord, and if it is properly formed.
# bass = possibA[-1]
# root = None
# rootIndex = 0
# for pitchA in possibA[0:-1]:
# if not (pitchA.ps - bass.ps) % 12 == 10:
# rootIndex += 1
# continue
# br = interval.Interval(bass, pitchA)
# isAugmentedSixth = (br.directedSimpleName == 'A6')
# if isAugmentedSixth:
# root = pitchA
# break
# tonic = bass.transpose('M3')
# # Restrict doublings, It+6
# for pitchIndex in range(len(possibA) - 1):
# if pitchIndex == rootIndex:
# continue
# pitchA = possibA[pitchIndex]
# if not pitchA.name == tonic.name:
# return False
#
# # Part 2: If possibA is Italian A6 chord, check that it resolves properly in possibB.
# fifth = root.transpose('m2')
# pairsList = partPairs(possibA, possibB)
# (bassA, bassB) = pairsList[-1]
# (rootA, rootB) = pairsList[rootIndex]
# if not (bassB.name == fifth.name and rootB.name == fifth.name):
# return False
# if not (bassB.ps - bassA.ps == -1.0 and rootB.ps - rootA.ps == 1.0):
# return False
# allowedIntervalNames = ['M3', 'm3', 'M2', 'm-2']
# for pitchIndex in range(len(pairsList) - 1):
# if pitchIndex == rootIndex:
# continue
# (tonicA, tonicB) = pairsList[pitchIndex]
# if tonicA == tonicB:
# continue
# tt = interval.Interval(tonicA, tonicB)
# if not tt.directedSimpleName in allowedIntervalNames:
# return False
return True
# HELPER METHODS
# --------------
[docs]
def partPairs(
possibA: Possibility,
possibB: Possibility
) -> list[tuple[pitch.Pitch, pitch.Pitch]]:
'''
Groups together pitches of possibA and possibB which correspond to the same part,
constituting a shared part.
>>> from music21.figuredBass import possibility
>>> C4 = pitch.Pitch('C4')
>>> D4 = pitch.Pitch('D4')
>>> E4 = pitch.Pitch('E4')
>>> F4 = pitch.Pitch('F4')
>>> G4 = pitch.Pitch('G4')
>>> B4 = pitch.Pitch('B4')
>>> C5 = pitch.Pitch('C5')
>>> possibA1 = (C5, G4, E4, C4)
>>> possibB1 = (B4, F4, D4, D4)
>>> possibility.partPairs(possibA1, possibA1)
[(<music21.pitch.Pitch C5>, <music21.pitch.Pitch C5>),
(<music21.pitch.Pitch G4>, <music21.pitch.Pitch G4>),
(<music21.pitch.Pitch E4>, <music21.pitch.Pitch E4>),
(<music21.pitch.Pitch C4>, <music21.pitch.Pitch C4>)]
>>> possibility.partPairs(possibA1, possibB1)
[(<music21.pitch.Pitch C5>, <music21.pitch.Pitch B4>),
(<music21.pitch.Pitch G4>, <music21.pitch.Pitch F4>),
(<music21.pitch.Pitch E4>, <music21.pitch.Pitch D4>),
(<music21.pitch.Pitch C4>, <music21.pitch.Pitch D4>)]
'''
return list(zip(possibA, possibB, strict=True))
# apply a function to one pitch of possibA at a time
# apply a function to two pitches of possibA at a time
# apply a function to one partPair of possibA, possibB at a time
# apply a function to two partPairs of possibA, possibB at a time
# use an iterator that fails when the first false is returned
singlePossibilityMethods = [voiceCrossing, isIncomplete, upperPartsWithinLimit, pitchesWithinLimit]
# singlePossibilityMethods.sort(None, lambda x: x.__name__)
consequentPossibilityMethods = [parallelFifths, parallelOctaves,
hiddenFifths, hiddenOctaves, voiceOverlap,
partMovementsWithinLimits, upperPartsSame,
couldBeItalianA6Resolution]
# consequentPossibilityMethods.sort(None, lambda x: x.__name__)
_DOC_ORDER = [*singlePossibilityMethods, partPairs, *consequentPossibilityMethods]
class PossibilityException(exceptions21.Music21Exception):
pass
# ------------------------------------------------------------------------------
class Test(unittest.TestCase):
pass
if __name__ == '__main__':
import music21
music21.mainTest(Test)